- WHEN
- 21 January – 20 February 2021
- VENUE
-
Hatch Art Project, 7 Yong Siak Street (go to Google maps)
- OPENING HOURS
- Tues – Sat, 10am – 7pm
Sun, 10am – 5pm - ADMISSION
- Free Admission
- WEBSITE
- https://www.hatchartproject.com
Where Did Macy Go? is an 11-episode animated video told through a series reports of Macy’s encounter with the epidemic, life during the quarantine. The video discusses the collapse of old community structures, the emergence of a new community after decollectivization, Confucian obedience vs. social obedience, as well as the new telerepublic of home, “mask politics” and social justice under the pandemic.
Ziyang Wu, Where Did Macy Go, 2020. Image courtesy of the artist and Hatch Art Project.
Ziyang Wu, Where Did Macy Go, 2020. Image courtesy of the artist and Hatch Art Project.
SAFRA Toa Payoh, Level 1
22 January – 21 February 2021
Ground Up, In Between is an initiative by EMS Art Collective - A Community Arts Residency programme organised by SAFRA Toa Payoh and supported by the National Arts Council.
Our Tampines Hub, 1 Tampines Walk, South Plaza
22 January 2021 – 22 January 2022
TAPESTRY features four murals by four urban artists (Zul Othman, Adeline Tan, Wu Yanrong and collective Ink & Clog) working with residents at the prominent South Plaza of Our Tampines Hub, under the Built by and for the Residents series.
Modern Art Society Singapore, 9 @Tagore, 9 Tagore Lane, #04-10
23 – 31 January 2021
Modern Art Society is an established Art Society that is founded in 1963, Singapore. Amongst its members are numerous Young Artist Award and Cultural Medallion recipients.
Bus stops along route 175
21 January – 3 February 2021
Curated by Amelia Abdullahsani and Merryn Trevethan, Bus.Stop.Art. is an innovative public art exhibition constituting art installations and interventions by Singapore-based artists at bus stops along the east-west route of bus 175. This exciting island-wide project takes art out of museums and galleries into the public realm where Singaporeans live, work, and commute.
