Deep Field Cinema

Deep Field Cinema

WHEN
28 – 30 January 2021
VENUE
Online
OPENING HOURS
28, 29 January, 7:30pm – 9:30pm
30 January, 4:30pm – 9:30pm
ADMISSION
Free Admission
WEBSITE
https://inter-mission.art/

Deep Field Cinema

Deep Field Cinema looks into the present and future conditions of image-making and image-discovering. It investigates where media and technology can take us, particularly in the current global situation of remote working, living and surviving, as well as digitally connecting with each other across geo-political and socio-political spectrums.

This collaboration with Interdisciplinary Art Festival Tokyo (IAFT) across three nights will search for the elixir medium that can be as good as the real thing. It demands for the best and most intimate form of moving images and viewing experience, transcending between reality and fiction through screens, sounds and spaces.

The livestream will be available for viewing on INTER-MISSION's YouTube channel here

Sung Nam Han, The Shipyard, 2019. Image courtesy of the artist.

Screening (Toh Hun Ping)

28 January 2021, 7:30pm – 8:15pm

Audiovisual Performance (Sung Nam Han)

28 January 2021, 8:30pm – 9:30pm

Screening (Chong Lii)

29 January 2021, 7:30pm – 8:15pm

Audiovisual Performance (Rafaël)

29 January 2021, 8:30pm – 9:30pm

Keynote Presentation by Dr Tan Kai Syng

30 January 2021, 4:30pm – 5pm

'What could 2050 look like? An artful, agile and atypical vision amid and beyond the pandemic'
This new performance-lecture introduces the creative tactic of ‘artful leadership’, and invites us to imagine more inclusive and creative ways of working, organising and being, beyond the pandemic in Industry 4.0.

Roundtable Discussion with all artists, moderated by INTER–MISSION

30 January 2021, 5pm – 6:30pm

Screening (Jake Tan & Ernest Wu, Cecile Chagnaud)

30 January 2021, 7:30pm – 8:15pm 

Audiovisual Performance (Tasman Richardson)

30 January 2021, 8:30pm – 9:30pm

Online
22 – 30 January 2021
Timeless Treasures features a unique collection of Contemporary and Modern Indian Masters including never before seen artworks, drawn from private collections.
Exhibition
Online
22 January – 22 December 2021
Bite the tongue is an online programme investigating notions of language and translation (or absence thereof) in the context of Southeast Asia. Fostering interdisciplinary modes of inquiry, it dives into the fields of filmmaking, anthropology, critical theory, literature, artistic research, archival methodologies and visual cultures.
Online
20 – 31 January 2021
This programme presents a selection of films that echo some of the discussions negotiated by Trinh in her filmic works as well as in her writings.
Various Locations
19 – 30 January 2021
Turning travel and border restrictions on its head, the 4th IMPART Collectors’ Show brings to online audiences what is impossible to bring in person, drawing together rare footage of remarkable installations that are site-specifically embedded in private collector’s homes.