Image courtesy of POP MART.

Exhibition

SKULLPANDA CAGE-UNCAGE Singapore

Organised by POP MART and National Museum of Singapore; Supported by Singapore Tourism Board.

12 December 2025 to 22 February 2026

10am to 7pm

Ticketed

Synopsis

Making its international debut outside of China, SKULLPANDA CAGE-UNCAGE Singapore is an immersive and thought-provoking showcase that elevates the artistry and intent of POP MART’s beloved character, exploring the contradictory states of certainty and freedom brought about by our decision-making processes. Through visually striking, interactive installations, visitors are invited to contemplate six major themes that form part of everyday life — Emotion, Fortune, Rules, Exploration, Life, and Direction — and examine the possibilities and dilemmas of choice that lie within.

Created in 2018 by Chinese multidisciplinary artist Xiong Miao, the SKULLPANDA character was designed as a version of the artist who embraces all the uncertainties and questions of life, concepts that have long fascinated her.

Artists
Xiong Mao

Exhibition

Daniel Chong and Dylan Chan

20 Jan 2021 to 1 Mar 2026

Free admission

Exposure_Exposure is a public exhibition by five local artists. Occupying the outdoor margins of Objectifs it hopes to hijack, interrupt and reframe the everyday encounter, offering new ways of sensing.

DECK Photography Art Centre Ltd.

17 Jan 2026 to 1 Mar 2026

Free admission

"Memory of the Wound" explores nature's memory of beauty and destruction, blending video, prints, and organic matter to reveal landscapes' physical and invisible human scars.
Exhibition

Sing Lit Station & Migrant Writers of Singapore

18 Jan 2026 to 25 Jan 2026

Free admission

Here & Elsewhere showcases visual and literary art created by migrant workers and local residents, reflecting on belonging, the lives built here in Singapore, and the memories carried from far away.
Exhibition

DECK Photography Art Centre Ltd.

17 Jan 2026 to 1 Mar 2026

Free admission

"Monuments" presents images as tactile objects—touched, held, shaped. It draws on fragments of Singapore’s public spaces to form an alternative archive of loss, love, and presence.