Exhibition
Organised by POP MART and National Museum of Singapore; Supported by Singapore Tourism Board.
12 December 2025 to 22 February 2026
10am to 7pm
Ticketed
Synopsis
Making its international debut outside of China, SKULLPANDA CAGE-UNCAGE Singapore is an immersive and thought-provoking showcase that elevates the artistry and intent of POP MART’s beloved character, exploring the contradictory states of certainty and freedom brought about by our decision-making processes. Through visually striking, interactive installations, visitors are invited to contemplate six major themes that form part of everyday life — Emotion, Fortune, Rules, Exploration, Life, and Direction — and examine the possibilities and dilemmas of choice that lie within.
Created in 2018 by Chinese multidisciplinary artist Xiong Miao, the SKULLPANDA character was designed as a version of the artist who embraces all the uncertainties and questions of life, concepts that have long fascinated her.
Artists
Xiong Miao
Objectifs Centre for Photography and Film
20 Jan 2026 to 1 Mar 2026
Free admission
To unfold by feeling, the view from here is perfect, considers the unstable life of images and how they shift, fragment, and persist beyond what they depict.
Exhibition
Art Outreach Singapore
16 Jan 2026 to 1 Feb 2026
Free admission
Cut, Ground observes Singapore’s tree-trimming rituals as gestures of care and regeneration, using moving image and installation to contemplate the city’s cycles of removal, transformation, and return.
Exhibition
Byra Beauty
16 Jan 2026 to 1 Feb 2026
Free admission
An immersive exhibition by Lee Wei Lieh, transforming Byra Beauty’s space into a sanctuary with lighted layered masking tape art, inviting calm, solitude and quiet reflection during Singapore Art Week.
Exhibition
Linda Gallery
15 Nov 2025 to 31 Jan 2026
Free admission
When Chinese contemporary art meets Singapore, new stories emerge with the Nanyang spirit. Linda Gallery’s Paragon opening revisits connections with artists Yin Zhaoyang, Zhu Wei, Xiao Hong, and others.
