Gunalan Nadarajan and Roopesh Sitharan
22 January 2026 to 1 February 2026
11:00AM - 7:00PM
Free admission
Chapalang is a random and seemingly chaotic commingling of things haphazardly put together, and in this exhibition exemplifies cultural strategies and attitudes associated with 'making do'; making one's own the heterogeneity of technologies and things we inhabit. These creative reconfigurings and vernacular appropriations of technologies in Southeast Asia are gathered here to speculate on the radical potential of such cultural practices to unsettle and reimagine our relationship to the technological.
Yang Jie
Curators
Gunalan Nadarajan
Roopesh Sitharan
Public programmes
Participating artists: Haris Abadi
Hacking Readymades examines the transformation of play into form, and form into system. Using a single everyday object (the clothespin), participants assemble makeshift structures that recall the improvisations of childhood and the inventiveness of the everyday. Instead of translating these constructions into full instruction manuals, participants will design the cover or poster of a hypothetical manual — the front-facing image, title, and visual identity that suggest how the object might be circulated, taught, or reproduced. This shifts the focus from technical instruction to the way creativity is framed, packaged, and made shareable. Through this process, the workshop explores how casual, playful constructions become formalised through naming, design, and visual language — turning play into a system of representation and the object into a communicable idea.
Curatorial Walkthrough by Gunalan Nadarajan and Roopesh Sitharan
25th January 2026, 11am - 12pm
31 January 2026, 1:30pm - 2:30pm
An Improvised Ensembl-age Workshop by Yang Jie
31 January, 2026
5pm - 7pm
Free registration, register here
Participating artists: Yang Jie
This workshop explores hacking, assemblage, and collective performance as methods for giving objects a second life. Developed within the context of Chapalang, an exhibition embracing messiness, hybridity, and the productive mixing of forms, the artist encourages participants to bring objects and technologies that are beloved, worn, damaged, or aged—items that carry history and memory, yet whose original purpose has shifted or faded. Through simple mechanical and electronic interventions, participants experiment with how these objects can be coaxed into movement: swaying, tapping, rotating, trembling, colliding. The workshop culminates in a collective kinetic soundscape installation: an improvised ensembl-age of misfit objects moving, chiming, and “dance” together; recovering new possibilities and meanings for these objects that were considered damaged or obsolete to collaboratively discover new purpose, uses and meaning-lessness.
Esplanade - Theatres on the Bay
14 Sep 2025 to 1 Feb 2026
Free admission
Gajah Gallery
21 Jan 2026 to 28 Feb 2026
Free admission
Le Shan Cafe
10 Jan 2026 to 14 Feb 2026
Free admission
NTU Centre for Contemporary Art Singapore
24 Jan 2026 to 31 Jan 2026
Free admission